The avowed aim was that they should tremble, that they should quiver, that they move. Because these two pieces, especially the chapel, were made with purely verbal authorization and agreement. In India, I saw people who, to make fuel, chuck cow dung on the walls in bright sunlight.
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Perhaps me too, I belong to this illustrious brotherhood, it’s possible… Restored a few years ago the chapel was completely uninhabited – before I began my paintings. I’m not really one for dates, but it must have been finished some two or three years ago, the restoration… It was very long, they took down the rafters and put the roof back up afterwards. In any case, screech owl lives there, because I keep finding regurgitated pellets. It was at Les Orpellières that the business with the chapel started. Because I’m hardly someone who keeps his mouth shut, I’m rather talkative, and so I chatted to those around me, here, in Gisors, about Les Orpellières, to friends of your mother’s, and they said to one another: “And what if Dado did something for us? so the chapel, is, for a substantial part, a second self-proclaimed commission.
This is not at all the case with the chapel, which, on the contrary, exudes a kind of permanence… The dome is just blue and white, and yet, in the middle, at the summit, there’s a wine-red rosette, red, blood-red. They were gasps of oxygen compared with my four meter by two pictures!
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